Monday, August 9, 2010

Oak Street Church design

  Most people have never heard of Piet Oudolf.  Even in the horticultural trade maybe 1 out of every 10 people I encounter are familiar with the Dutch designer.  Well, if you are familiar with his work, you know that his perennial and ornamental grass compositions are like rich symphonies of incomparable combinations.  He and a few other designers have championed a plant-focused design movement employing many of the wildflowers that inhabit the prairies of North America.

   In this design, along the sidewalk strip of a church in Silverton, I pay homage to Mr. Oudolf, though Piet would probably never use blue fescues in his designs.  Oak Street Church is a community-focused church, and wanted a landscape that was vibrant, diverse and low-maintenance. We achieved this using Oudolf's method of garden design.

   What really makes this design standout is the length of the border.  A good 70 feet long and almost 8 feet wide this border allowed me to create a perennial drama of color, with Echinacea, Liatris, and Russian Lavender providing the action, while ornamental grasses such as Calamagrostis 'Karl Foerester', Deschampsia, Pennisetums and others lend structure, texture, and context.  Without the grasses this design just looks like a mess.  With the grasses it achieves a "wild" look without feeling out of control.  Grasses not only provide structural  balance, but also provide a soft earthy, golden colors that help accent the bold injections of perennial color.  Also, their visual texture helps make the composition more palpable, breaking up the perennials into visually manageable groups. 

   Less is More.  Limiting the number of perennials to four (Echinacea, Sedums, Liatris, Lavender) allows the design to be wild and bold.  If we cram too many different perennial species in here we get visual overload.  Too many colors competing against each other. But with only four different species, all planted in bunches for maximum impact, our eyes can travel the length of the design without feeling overwhelmed.

   Lastly, this design is also incredibly easy to maintain, provides ample pollen and nectar sources for our native bees, and needs minimal water during the summer.  I think Piet would approve.



Friday, August 6, 2010

Irving Street Kitchen patio

   A few months back I was asked to design the planters at a new restaurant in the Pearl District.  The restaurant, called Irving Street Kitchen, was in the process of getting a facelift, transforming itself from its previous manifestation as Bay 13; a cold, metallic-heavy, industrial designed airplane hangar.  The inside was already vastly improved with rich reds, and lots of rough wood, but the outside was still very nautical and shiny, aluminum and concrete being the common elements.

   The cantilever that covers the loading dock or patio as Irving St. Kitchen now calls it keeps the sun from pouring down onto patrons, but also limits the amount of available sunlight, yet because of all the reflective material on the patio the area remains very bright.  I chose plants that prefer part sun, and maybe even pushed the boundary on this requirement.  I wanted to use neutral tones with soft textural grasses to make the patio area feel more relaxing. The more earthy tones of grey-green and tawny-brown of the grasses flowers convey softness (a contrast to the metal), without the color contrast of bright flowers or foliage.



   We chose a Coral-bark Japanese Maple for the entrance, planted with Black Mondo grass as a more dramatic entrance piece.  The more lipstick red of the bark echoes the brick red of the bar inside.